Computer Sound Design: Synthesis Techniques and Programming

Author: Eduardo Miranda
List Price: $49.99
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ISBN: 0240516931
Publisher: Focal Press (October, 2002)
Edition: Paperback
Sales Rank: 98,518
Average Customer Rating: 4 out of 5

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Customer Reviews

Rating: 5 out of 5
Fantastic introduction to sound synthesis
As a musician with no experience of computer programming I found this book an ideal introductory text. It encouraged me to try out synthesis programming for myself and create new sounds beyond the presets that come with commercial products. Highly recommended.


Rating: 2 out of 5
Too broad, some misconceptions
I was first impressed with Eduardo Miranda's book "Computer Sound Design" but as I read more, I realized that this ambitious survey of sound synthesis over-generalizes and even criticizes mature well-accepted techniques. Admittedly, the scope of the book is vast, but I can't help feel that the approach to most topics is far too cursory for the book to be more than a reference to other works.

I was very disappointed with chapter 3, "Spectrum Modelling Approaches" as it not only was a terse white-wash of spectral synthesis techniques, there were multiple instances of unfounded criticism for the rich field of spectral signal processing and its growing constituency of pracitioners. It would have been much more effective for Miranda to simply admit his lack of expertise in the area without providing false unfounded judgements.


Rating: 5 out of 5
Most welcome and very helpful
The book is designed to be very practical. It can serve as an introduction, but also as a clarification and reminder for the already experienced reader. The author provides the support necessary for finding one's own path in an extremely clear fashion, so that every step appears simple. The choice of topics includes important and neatly classified methods for sound modelling. At the end, the book ventures towards "the cutting edge" - applying artificial intelligence techniques and evolutionary computing for sound design, and taking into account the implications of parallel computing for sound synthesis: the author is himself conducting research in these promising fields, at the new frontier of computer music. The CD-ROM provides useful software as well as tutorials and examples.

Doing one's own thing with digital sound technology requires some effort indeed: but this effort is necessary to take advantage of vast potential resources in an original, personal and musical fashion, and this book should help in this worthwhile endeavor. I believe that Computer Sound Design - Synthesis Techniques and Programming" will play a useful role in the diffusion of knowledge and know-how on software synthesis, and greatly facilitate the approach of digital sound design.

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